Skip To Main Content
Issue 61 - Vintage Modern Issue

Issue 61

Vintage Modern Issue

The breadth and scope of Habitus has always been extraordinary. With how we live at heart of every issue, we have stepped it up with Guest Editor David Flack of Flack Studio shaking the ‘how’ and looking at new ways to make a house a home. With Vintage Modern as the issues theme, we look at the way iconic design has stayed with us, how daring pieces from the past can add the wow factor and how architecture and good design defy the pigeon hole of their era.

Order Issue

A Product of

Chinar Farooqui uses traditional hand-weaving to make Injiri Textiles
DecorEditorial Team

Chinar Farooqui uses traditional hand-weaving to make Injiri Textiles

Embedded in the new Injiri Textiles is a rich cultural history of making.


 

Chinar Farooqui cultivated a love of hand-loomed fabrics while pursuing her master’s degree in textile design at the National Institute of Design in Ahmedabad, India. Now, she incorporates hand-weaving and other artisanal practices into her home wares collection, Injiri.

Working from her studio in Jaipur, Farooqui has developed a network of hand-loom collectives across India, from Gujarat to West Bengal who work with organic cottons and natural dyes to produce a range of exquisite handmade homewares that reside under the brand Injiri.

19159917_01-0326352-1

The word Injiri is derived from the name the Kalabari people of the Nigerian delta gave to their preferred Madras plaid fabric. Their location on the Niger delta favoured an economy based on fishing and trade. Originally, the Kalabari traded for vegetables and grain but quickly became textile traders. Oral tradition suggests a five hundred year history of this trade, predominantly from India.

19159919_img_0413
Injiri, also known as Real India is a madras plaid: a yarn-dyed, hand-woven fabric featuring plaid (tartan pattern formed by horizontal and vertical stripes), striped, or checked patterns in blue/black, off-white, and red/orange combinations. Of all the trade cloths that passed through Kalabari hands, it was the trade cloth from India that came to have the greatest material significance in both their ritual and daily life.

 

19159920_img_0443

This export to Nigeria became a significant part of the GDP of south eastern India so when in 1976 and 1983 Nigeria experienced political turmoil and banned imported goods, the weavers of Hyderabad and Madras experienced severe poverty. The Indian government stepped in to support the cultural importance of the hand looming process and the cultural fabric developed around it.
19159918_02-0326434
This is one of the techniques incorporated in to Studio Chinar’s glorious home textile collection… Injiri, that history is why the woven stripes and plaids are so much a part of this wonderful collection. Other specialised techniques like intricate ikat and shibori dying and delicate hand knotted tassels and button detail are handmade, passing through many hands and different ateliers to achieve the final product.

The care is evident in the detail; the pleasure is in the use.

Spence & Lyda
spenceandlyda.com.au


About the Author

Editorial Team


Related Articles
Issue 61 - Vintage Modern Issue

Issue 61

Vintage Modern Issue

The breadth and scope of Habitus has always been extraordinary. With how we live at heart of every issue, we have stepped it up with Guest Editor David Flack of Flack Studio shaking the ‘how’ and looking at new ways to make a house a home. With Vintage Modern as the issues theme, we look at the way iconic design has stayed with us, how daring pieces from the past can add the wow factor and how architecture and good design defy the pigeon hole of their era.

Order Issue