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Issue 61 - Vintage Modern Issue

Issue 61

Vintage Modern Issue

The breadth and scope of Habitus has always been extraordinary. With how we live at heart of every issue, we have stepped it up with Guest Editor David Flack of Flack Studio shaking the ‘how’ and looking at new ways to make a house a home. With Vintage Modern as the issues theme, we look at the way iconic design has stayed with us, how daring pieces from the past can add the wow factor and how architecture and good design defy the pigeon hole of their era.

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A Product of

End-Lot House
HomesAleesha Callahan

End-Lot House

Malaysia

Habitus House of the Year 2021 Nominee

Photography

David Yeow

Architecture

Eleena Jamil Architect

The Industrial House


Set in the bustling district of Bangsar in Kuala Lumpur, End-Lot House by Eleena Jamil Architect uses the desirable location to its advantage while creating a private escape for the owners.

End-Lot House draws its name from the original dwelling, an old ‘end-lot’ terrace within a neighbourhood of two-storey townhouses built in the seventies and eighties.

The clients are a young couple, with two children under the age of seven. While the location – in the inner-city area of Bangsar, Kuala Lumpur – is highly sought-after, the home needed some adjustments to meet their needs. Eleena Jamil Architect came on board to adapt the house, taking the low ceilings and dark interior, and turning the space into a functional family home, with a roof terrace.

End-Lot House stands taller than the surrounding houses, adding a bookend to the street by repeating the same rectilinear language of the neighbours, albeit with a distinct façade. “I think one thing that strikes people as intriguing about the house is the board-marked concrete façade with large, punctured openings at the top with plants growing behind it. We have many people eager to find out more about what’s behind the wall,” shares founder Eleena Jamil.

While the house appears simple in its massing, it offers glimpses to the complexities and reconfigured interior behind the form. Internally, spaces have been redesigned to bring light deep inside, while encouraging much-needed cross ventilation – a necessity in the humid climate of KL.

The stair is a feat of spatial planning, traversing all four levels of the home through a newly inserted void. It has a lightness of touch with thin plate-steel treads held up by equally thin steel rods. “The staircase seems to be almost floating within the central void of the house against the brick wall. It took some time and many mock-ups before we could get the right detailing of rods from which the steel plates hang,” says Jamil.

End-Lot House is undeniably industrial in its aesthetic. This was a deliberate approach driven by both the client and Jamil. In most instances materials have been used in their natural state – bricks and concrete are fair faced; the chequered pattern of the steel plates is highlighted with a dark grey paint.

Other elements add some warmth: a brick wall, hardwood timbers and the greenery of the rooftop. Even though in-situ concrete is a common and cheap building material in Malaysia, texture is added through the boardmarked pattern in the formwork.

End-Lot House is a combination of robust, honest materials set against a striking rectilinear form, and functional planning.
















About the Author

Aleesha Callahan

Tags

boardmark concretebrickconcreteEleena JamilHabitus House of the Year 2021industrial architectureMalaysian DesignrenovationRow House


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Issue 61 - Vintage Modern Issue

Issue 61

Vintage Modern Issue

The breadth and scope of Habitus has always been extraordinary. With how we live at heart of every issue, we have stepped it up with Guest Editor David Flack of Flack Studio shaking the ‘how’ and looking at new ways to make a house a home. With Vintage Modern as the issues theme, we look at the way iconic design has stayed with us, how daring pieces from the past can add the wow factor and how architecture and good design defy the pigeon hole of their era.

Order Issue