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Issue 62 - Living in the Environment Issue

Issue 62

Living in the Environment Issue

Issue 62 is the first issue of the year and always a great time to put our best foot forward. With Adam Goodrum, the loveliest man in design, as Guest Editor, we draw on his insights as a furniture designer, artist and educator to look at the makers shaping our design world. Sustainability has never been more important, and increasingly this is a consideration from the start with projects designed to address their immediate environment as well as the longevity of the planet. From the coldest winters to the most tropical of summers, addressing how we live in the environment is crucial to creating the perfect home.

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First Appearances Are Deceptive In This Japanese Row House
HomesRebecca Gross

First Appearances Are Deceptive In This Japanese Row House

Japan

Designed by Arbol, this Japanese row house appears as a closed, flat form. But once inside, the interior is open and layered, filled with sunlight and fresh air.


House in Ohasu may present a spare, one-dimensional façade to the street, but inside a series of arched openings and windows create a layered, three-dimensional effect for this modern Japanese row house.

The house, designed by Arbol, is located outside the centre of Higashi-Osaka city, in a dense residential area of Japanese row houses. The client wanted a house with Singaporean peranakan architectural features. “In other words, extraordinary atmosphere for the house,” as Yousaku Tsutsumi of Arbol describes.

House in Ohasu by Arbol features timber floorboards, rendered concrete walls, a central courtyard, high ceilings and architectural arches.

Peranakan architecture is derived from a hybrid of Western and Eastern styles and traditions. The eclectic architecture has effusive decoration, with colourful glazed ceramic tiles, classical-inspired elements, bas reliefs and decorative plasterwork. “Peranakan architecture also features a landscape as an arcade, by connecting the front porch of a building and the side-wall arches together in a row,” says Yousaku. Arbol incorporated these elements of peranakan architecture into a contemporary interpretation of a Japanese row house to create a home that synthesises cultural influences.

Like a peranakan townhouse, House in Ohasu is longer than its façade suggests. All indoor and outdoor spaces and contained within the exterior walls, which are raised above the ground, allowing the breeze to blow underneath. The side walls gradually increase in height from one storey at the front to two storeys at the rear, and arches of various sizes partition rooms and openings to create a sense of rhythm and overlapping space. “The arches cast shadows along the walls, adding depth to the whole house,” Yousaku explains.

 

Like a peranakan townhouse, House in Ohasu is longer than its façade suggests.

 

House in Ohasu by Arbol features timber floorboards, rendered concrete walls, a central courtyard, high ceilings and architectural arches.

The arched timber door in the façade provides the entrance to the front porch and garden that are open to the sky. A large, asymmetrical arch frames a view of the kitchen, dining and living area at the front of the house, and a larger arch sweeps across the opening to the courtyard and side passage. The floor of the passage is tiled with decorative ceramic tiles, reminiscent of peranakan architecture, and the staircase leads up to the first-floor bedroom, where a half-arch provides a sense of enclosure while still allowing a view through the house. With a natural textured finish, the walls and ceiling reflect the light and brings more dimension to the space.

Sunlight filters through the courtyard into the middle of the house, and reflects the passing of time throughout the day and seasons, as is typical in traditional Japanese architecture. “The front yard and courtyard connect the indoor and outdoor spaces, and the natural sunlight and daily and seasonal changes creates openness and a sense of movement,” Yousaku says.

From the outside House in Ohasu appears as a closed, flat form, but appearances can be deceptive as once inside, the interior is open and layered, filled with sunlight and fresh air.

Arbol
arbol-design.com

Photography by Yasunori Shimomura

 

Sunlight filters through the courtyard into the middle of the house, and reflects the passing of time throughout the day and seasons, as is typical in traditional Japanese architecture.

 

We think you might also like House in Konohana by FujiwaraMuro Architects


About the Author

Rebecca Gross

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ArbolArchitecturedesignHouse in OhasujapanJapanese Architecturejapanese designJapanese Row HousePeranakan architecturerebecca gross


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Issue 62 - Living in the Environment Issue

Issue 62

Living in the Environment Issue

Issue 62 is the first issue of the year and always a great time to put our best foot forward. With Adam Goodrum, the loveliest man in design, as Guest Editor, we draw on his insights as a furniture designer, artist and educator to look at the makers shaping our design world. Sustainability has never been more important, and increasingly this is a consideration from the start with projects designed to address their immediate environment as well as the longevity of the planet. From the coldest winters to the most tropical of summers, addressing how we live in the environment is crucial to creating the perfect home.

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